The Blofeld Desktop Synth Module by Waldorf features Waldorf's legendary Analog Modeling Technology and 60 MB of onboard sample memory. That kind of built-in storage allows you to import your own selection of samples and manipulate them using the Blofeld, 16-part multi-timbral virtual-analog synthesis engine.
- The Blofeld is descended from the Waldorf Q, Micro Q and Microwave II wavetable synthesizers (all of which were themselves descendants of the classic PPG Wave). It sports three oscillators per voice and two multi mode filters. All three oscillators have classic analog modeled waveforms, while Osc1 and Osc2 can also act as wavetable generators.
- Samples are organized using key and velocity maps, selections rules like round robin, random etc., and individual pitch, gain and pan settings. Samples are stored in internal Flash memory of about 4GB capacity pre-filled with over 1GB specially made for Quantum factory samples.
- This synthesizer offers all the unique qualities that made Waldorf a truly legendary brand. The engine inside the heavy duty, full metal chassis of the Blofeld delivers the same fat and rich sound that so many Waldorf users worldwide love when they play their Pulse, Q, Q+, Micro Q, Microwave, Microwave II/XT, or even the flagship Wave.
- In this video I give an overview of the Waldorf Blofeld analogue-modeling synthesizer. This is a 16-part multitimbral digital synthesizer with 25 voices of p.
Waldorf build on the success of their Blofeld synth by adding not only a keyboard, but also sample RAM.
Unlike its desktop sibling, the Blofeld Keyboard has a MIDI Out port and an input for a sustain pedal.
Last year German wunderkinds Waldorf returned from the wilderness bearing a compact and stylish white module. With its blend of wavetable synthesis and analogue modelling, the Blofeld was a little cracker, so the announcement of a keyboard version hot on its heels was no surprise. What did raise an eyebrow or two, however, was the news that this model possessed onboard sample RAM, widening the scope of an already versatile synth engine.
Heavy Metal
For the lowdown on the Blofeld's internal spec, please revisit our review from June 2008. I'm happy to report that externally the Blofeld Keyboard is constructed solidly — indeed, at 8kg this is a substantial chunk of pearly‑white metal. Other than the single pair of stereo outs and lack of a MIDI Thru, you don't find the cost‑cutting measures typically associated with keyboards in this price range. The keyboard action is good and it has aftertouch — top marks there! And as the power supply is internal, I can (almost) overlook the fact that the included power lead was a European one.
The Blofeld Keyboard's user interface adopts the minimalistic approach of its sibling, leaving ample space on its surface for a Blofeld module, should you own both. Thankfully, Waldorf have included a MIDI Out this time, as well as two control wheels and a sustain pedal input. The remaining 'extras' consist of three plastic buttons, two of which transpose the keyboard beyond its range of four physical octaves. The third button is labelled 'Free', its role selected from a (short) list of possibilities including mute, sustain and latched sustain. Choosing the last for latching drones and arpeggios is far nicer than jamming knives into the keyboard, or riding the sustain pedal. Sadly, none of these buttons offer any visual indication that they have been pressed.
RAMifications
We saw in the previous review that the Blofeld's flexible architecture offers multiple flavours for the budding sound designer. All three of its oscillators provide full‑bodied analogue waveforms, while oscillators one and two offer a tangy wavetable synthesis implementation. The Blofeld Keyboard shares this architecture but adds a new element to the first two oscillators: sampled waveforms. These samples are housed in 60MB of onboard flash RAM but, frustratingly, at the time of writing, there is no way to import user waves.
So what samples are pre‑loaded to whet our appetites? Well, there are 41 waves in total, including piano, zither, marimba, guitar, organ, strings, some sound effects and a selection of percussion hits. There are one or two goodies — the choir and flute spring to mind — but I doubt I'd keep many of them once the wave manager software has been released.
Layering sampled strings, drums or effects with wavetables and analogue waveforms is both addictive and fruitful — it's interesting to note how even fairly ordinary samples acquire markedly different personalities courtesy of the Blofeld's filters and modelled drive circuits. However, I suspect what we hear in the current factory set represents only the start of a whole new Waldorf adventure.
If owners of the Blofeld module are feeling a little left out by this talk of sample playback, all Blofeld models do already contain the sample RAM, but module users will have to pay for a software upgrade, at a cost of 99 Euros, to be able to access it.
Multi Mode
At the end of January this year, a Blofeld upgrade including a multitimbral mode was finally handed over to an eager community of Waldorf users. Unfortunately it wasn't entirely bug‑free. One particular bug broke the handling of external MIDI clock and, although a fix should be available by the time you read this, it's a pity it leaked through: it took the shine off an otherwise comprehensive upgrade.
There are now 128 multi setups, each with up to 16 parts. In common with the previous implementation, the 'Effect 2' setting of the first part — typically reverb or delay — is shared by all. Of the other parts, only the first four maintain their 'Effect 1' (chorus, flange, etc) which, on a synth with just 25 notes of polyphony, isn't a bad compromise.
Selecting a part to edit is a two‑handed affair involving the play button and adjacent main encoder. You can then scroll through a series of screens setting MIDI channel, transpose, detune and so on, or defining velocity and key zones. There's even a graphical overview of all the parts' levels and panning, and the end result is a clear and well‑designed system. My only moan was the ease with which you can inadvertently lose edits-in-progress by the simple action of switching to another multi or into single mode. One slip and all tweaks to the multi, or to individual patches in that multi, are lost.
Finally, multis don't keep copies of the patches they point to — but with over 1000 patch locations on board you could probably reserve a bank or two specifically for multi use.
Conclusion
I sincerely hope this trend of merging different synthesis types continues because it's leading to some genuinely innovative, powerful hardware instruments. With its mixture of sample playback and synthesis, I've heard the Blofeld Keyboard compared with the more expensive Nord Wave — but until the Blofeld's sample RAM is open to full exploitation, it's probably too early to draw any final conclusions. The Blofelds are, however, aimed towards those who appreciate complex synthesis, admittedly at the expense of a direct, knobby interface. It'll be interesting to see how many samples can be crammed into that precious 60MB and I'm glad that purchasers of the module can upgrade their machines to the same spec — imagine the gnashing of teeth on on‑line forums otherwise!
The inclusion of a proper multitimbral mode should be appreciated by all, whether for creating keyboard layers and splits or for sequencer work. Multitimbral use inevitably means a greater strain on the available resources, which can sometimes lead to unpleasant clicks and crackles. However, Waldorf are aware of this, so fingers crossed for quieter voice‑stealing in a future OS.
To sum up, the Blofeld is a deep and splendid instrument that goes where no Waldorf synth has gone before. For not a great deal of money, it can serve up a host of analogue and digital synth tones, speaker‑shredding industrial sound effects and even 'normal' keyboard sounds — all in a neat, portable package.
Alternatives
Finding alternatives to either Blofeld model is no stroll in the park. Synths such as Roland's Juno G combine ROM and user samples with synthesis but are essentially aimed at realistic sound production. You need to look higher up the food chain — at instruments like the Nord Wave or Roland V‑Synth — before you encounter anything broadly similar, and neither of those have proper multitimbrality.
Forgetting the sample RAM angle for a moment opens up options such as the Korg Radias or the Access Virus TI Snow. Both have impressive synthy credentials but, again, for way more wonga than a Waldorf.
Waldorf Blofeld Dimensions
Pros
- Fantastic‑sounding synth engine — now with added sample playback.
- Keyboard feels great and has aftertouch.
Cons
- Still a few bugs and occasional voice‑stealing crackles (as of version 1.11).
- Sample RAM is provided, but at the moment there's no way to import user samples.
Summary
The Blofeld module marked an important new chapter in the Waldorf story, and the keyboard version builds solidly on that foundation. Bringing samples to an already packed party sees the Blofeld attain new heights of wonderfulness. While we clamour for the release of a utility to open up the sample RAM, we can at least be content to experiment, to program and to play.
information
£699 including VAT.Waldorf Blofeld Demo
Hand In Hand +44 (0)1752 696633.
$1399.99.MV Pro Audio +1 877 784 7383.
Join the Waldorf Blofeld Fans Community
Use the tabs below to see what music people who love this gear like, explore its tech specs and read reviews by other members. Stay tuned, more community features are coming up!
Our latest analysis of the music taste of people who like 'Blofeld' shows that it is mostly liked by people who listen to electronic, alternative rock or jazz and are fans of Aphex Twin, The Chemical Brothers or Röyksopp. Mac address sniper free download torrent.
Fans of Waldorf Blofeld by artist
artist | Fans | |
---|---|---|
Aphex Twin | 54.1 | Aphex Twin: 54.1 fans |
The Chemical Brothers | 40.5 | The Chemical Brothers: 40.5 fans |
Röyksopp | 38.4 | Röyksopp: 38.4 fans |
Black Sabbath | 37.2 | Black Sabbath: 37.2 fans |
Norah Jones | 33.3 | Norah Jones: 33.3 fans |
Boards of Canada | 33.3 | Boards of Canada: 33.3 fans |
Radiohead | 31.3 | Radiohead: 31.3 fans |
Nirvana | 31.2 | Nirvana: 31.2 fans |
Moby | 28.1 | Moby: 28.1 fans |
The Beatles | 26.1 | The Beatles: 26.1 fans |
Fans of Waldorf Blofeld by genre
genre | Fans | |
---|---|---|
Electronic | 223.5 | Electronic: 223.5 fans |
Alternative rock | 162.1 | Alternative rock: 162.1 fans |
Jazz | 126 | Jazz: 126 fans |
Blues | 87.3 | Blues: 87.3 fans |
Metal | 84 | Metal: 84 fans |
Fans of Waldorf Blofeld by age
age | Fans | |
---|---|---|
45 to 54 | 98.7 | 45 to 54: 98.7 fans |
18 to 24 | 90.9 | 18 to 24: 90.9 fans |
35 to 44 | 46.8 | 35 to 44: 46.8 fans |
25 to 34 | 41.7 | 25 to 34: 41.7 fans |
55 and above | 31.4 | 55 and above: 31.4 fans |
17 and below | 10.4 | 17 and below: 10.4 fans |
Fans of Waldorf Blofeld by country
country | Fans | |
---|---|---|
United States | 73 | United States: 73 fans |
Germany | 72 | Germany: 72 fans |
United Kingdom | 52.3 | United Kingdom: 52.3 fans |
Finland | 37.2 | Finland: 37.2 fans |
France | 26 | France: 26 fans |
Netherlands | 17.7 | Netherlands: 17.7 fans |
Canada | 10.5 | Canada: 10.5 fans |
Russia | 10.4 | Russia: 10.4 fans |
Belgium | 5.2 | Belgium: 5.2 fans |
Denmark | 5.2 | Denmark: 5.2 fans |
Australia | 5.2 | Australia: 5.2 fans |
Spain | 5.2 | Spain: 5.2 fans |
Fans of Waldorf Blofeld by gender
gender | Fans | |
---|---|---|
Male | 304.1 | Male: 304.1 fans |
Female | 15.8 | Female: 15.8 fans |
Fans of Waldorf Blofeld by type of use
Heavy Metal
For the lowdown on the Blofeld's internal spec, please revisit our review from June 2008. I'm happy to report that externally the Blofeld Keyboard is constructed solidly — indeed, at 8kg this is a substantial chunk of pearly‑white metal. Other than the single pair of stereo outs and lack of a MIDI Thru, you don't find the cost‑cutting measures typically associated with keyboards in this price range. The keyboard action is good and it has aftertouch — top marks there! And as the power supply is internal, I can (almost) overlook the fact that the included power lead was a European one.
The Blofeld Keyboard's user interface adopts the minimalistic approach of its sibling, leaving ample space on its surface for a Blofeld module, should you own both. Thankfully, Waldorf have included a MIDI Out this time, as well as two control wheels and a sustain pedal input. The remaining 'extras' consist of three plastic buttons, two of which transpose the keyboard beyond its range of four physical octaves. The third button is labelled 'Free', its role selected from a (short) list of possibilities including mute, sustain and latched sustain. Choosing the last for latching drones and arpeggios is far nicer than jamming knives into the keyboard, or riding the sustain pedal. Sadly, none of these buttons offer any visual indication that they have been pressed.
RAMifications
We saw in the previous review that the Blofeld's flexible architecture offers multiple flavours for the budding sound designer. All three of its oscillators provide full‑bodied analogue waveforms, while oscillators one and two offer a tangy wavetable synthesis implementation. The Blofeld Keyboard shares this architecture but adds a new element to the first two oscillators: sampled waveforms. These samples are housed in 60MB of onboard flash RAM but, frustratingly, at the time of writing, there is no way to import user waves.
So what samples are pre‑loaded to whet our appetites? Well, there are 41 waves in total, including piano, zither, marimba, guitar, organ, strings, some sound effects and a selection of percussion hits. There are one or two goodies — the choir and flute spring to mind — but I doubt I'd keep many of them once the wave manager software has been released.
Layering sampled strings, drums or effects with wavetables and analogue waveforms is both addictive and fruitful — it's interesting to note how even fairly ordinary samples acquire markedly different personalities courtesy of the Blofeld's filters and modelled drive circuits. However, I suspect what we hear in the current factory set represents only the start of a whole new Waldorf adventure.
If owners of the Blofeld module are feeling a little left out by this talk of sample playback, all Blofeld models do already contain the sample RAM, but module users will have to pay for a software upgrade, at a cost of 99 Euros, to be able to access it.
Multi Mode
At the end of January this year, a Blofeld upgrade including a multitimbral mode was finally handed over to an eager community of Waldorf users. Unfortunately it wasn't entirely bug‑free. One particular bug broke the handling of external MIDI clock and, although a fix should be available by the time you read this, it's a pity it leaked through: it took the shine off an otherwise comprehensive upgrade.
There are now 128 multi setups, each with up to 16 parts. In common with the previous implementation, the 'Effect 2' setting of the first part — typically reverb or delay — is shared by all. Of the other parts, only the first four maintain their 'Effect 1' (chorus, flange, etc) which, on a synth with just 25 notes of polyphony, isn't a bad compromise.
Selecting a part to edit is a two‑handed affair involving the play button and adjacent main encoder. You can then scroll through a series of screens setting MIDI channel, transpose, detune and so on, or defining velocity and key zones. There's even a graphical overview of all the parts' levels and panning, and the end result is a clear and well‑designed system. My only moan was the ease with which you can inadvertently lose edits-in-progress by the simple action of switching to another multi or into single mode. One slip and all tweaks to the multi, or to individual patches in that multi, are lost.
Finally, multis don't keep copies of the patches they point to — but with over 1000 patch locations on board you could probably reserve a bank or two specifically for multi use.
Conclusion
I sincerely hope this trend of merging different synthesis types continues because it's leading to some genuinely innovative, powerful hardware instruments. With its mixture of sample playback and synthesis, I've heard the Blofeld Keyboard compared with the more expensive Nord Wave — but until the Blofeld's sample RAM is open to full exploitation, it's probably too early to draw any final conclusions. The Blofelds are, however, aimed towards those who appreciate complex synthesis, admittedly at the expense of a direct, knobby interface. It'll be interesting to see how many samples can be crammed into that precious 60MB and I'm glad that purchasers of the module can upgrade their machines to the same spec — imagine the gnashing of teeth on on‑line forums otherwise!
The inclusion of a proper multitimbral mode should be appreciated by all, whether for creating keyboard layers and splits or for sequencer work. Multitimbral use inevitably means a greater strain on the available resources, which can sometimes lead to unpleasant clicks and crackles. However, Waldorf are aware of this, so fingers crossed for quieter voice‑stealing in a future OS.
To sum up, the Blofeld is a deep and splendid instrument that goes where no Waldorf synth has gone before. For not a great deal of money, it can serve up a host of analogue and digital synth tones, speaker‑shredding industrial sound effects and even 'normal' keyboard sounds — all in a neat, portable package.
Alternatives
Finding alternatives to either Blofeld model is no stroll in the park. Synths such as Roland's Juno G combine ROM and user samples with synthesis but are essentially aimed at realistic sound production. You need to look higher up the food chain — at instruments like the Nord Wave or Roland V‑Synth — before you encounter anything broadly similar, and neither of those have proper multitimbrality.
Forgetting the sample RAM angle for a moment opens up options such as the Korg Radias or the Access Virus TI Snow. Both have impressive synthy credentials but, again, for way more wonga than a Waldorf.
Waldorf Blofeld Dimensions
Pros
- Fantastic‑sounding synth engine — now with added sample playback.
- Keyboard feels great and has aftertouch.
Cons
- Still a few bugs and occasional voice‑stealing crackles (as of version 1.11).
- Sample RAM is provided, but at the moment there's no way to import user samples.
Summary
The Blofeld module marked an important new chapter in the Waldorf story, and the keyboard version builds solidly on that foundation. Bringing samples to an already packed party sees the Blofeld attain new heights of wonderfulness. While we clamour for the release of a utility to open up the sample RAM, we can at least be content to experiment, to program and to play.
information
£699 including VAT.Waldorf Blofeld Demo
Hand In Hand +44 (0)1752 696633.
$1399.99.MV Pro Audio +1 877 784 7383.
Join the Waldorf Blofeld Fans Community
Use the tabs below to see what music people who love this gear like, explore its tech specs and read reviews by other members. Stay tuned, more community features are coming up!
Our latest analysis of the music taste of people who like 'Blofeld' shows that it is mostly liked by people who listen to electronic, alternative rock or jazz and are fans of Aphex Twin, The Chemical Brothers or Röyksopp. Mac address sniper free download torrent.
Fans of Waldorf Blofeld by artist
artist | Fans | |
---|---|---|
Aphex Twin | 54.1 | Aphex Twin: 54.1 fans |
The Chemical Brothers | 40.5 | The Chemical Brothers: 40.5 fans |
Röyksopp | 38.4 | Röyksopp: 38.4 fans |
Black Sabbath | 37.2 | Black Sabbath: 37.2 fans |
Norah Jones | 33.3 | Norah Jones: 33.3 fans |
Boards of Canada | 33.3 | Boards of Canada: 33.3 fans |
Radiohead | 31.3 | Radiohead: 31.3 fans |
Nirvana | 31.2 | Nirvana: 31.2 fans |
Moby | 28.1 | Moby: 28.1 fans |
The Beatles | 26.1 | The Beatles: 26.1 fans |
Fans of Waldorf Blofeld by genre
genre | Fans | |
---|---|---|
Electronic | 223.5 | Electronic: 223.5 fans |
Alternative rock | 162.1 | Alternative rock: 162.1 fans |
Jazz | 126 | Jazz: 126 fans |
Blues | 87.3 | Blues: 87.3 fans |
Metal | 84 | Metal: 84 fans |
Fans of Waldorf Blofeld by age
age | Fans | |
---|---|---|
45 to 54 | 98.7 | 45 to 54: 98.7 fans |
18 to 24 | 90.9 | 18 to 24: 90.9 fans |
35 to 44 | 46.8 | 35 to 44: 46.8 fans |
25 to 34 | 41.7 | 25 to 34: 41.7 fans |
55 and above | 31.4 | 55 and above: 31.4 fans |
17 and below | 10.4 | 17 and below: 10.4 fans |
Fans of Waldorf Blofeld by country
country | Fans | |
---|---|---|
United States | 73 | United States: 73 fans |
Germany | 72 | Germany: 72 fans |
United Kingdom | 52.3 | United Kingdom: 52.3 fans |
Finland | 37.2 | Finland: 37.2 fans |
France | 26 | France: 26 fans |
Netherlands | 17.7 | Netherlands: 17.7 fans |
Canada | 10.5 | Canada: 10.5 fans |
Russia | 10.4 | Russia: 10.4 fans |
Belgium | 5.2 | Belgium: 5.2 fans |
Denmark | 5.2 | Denmark: 5.2 fans |
Australia | 5.2 | Australia: 5.2 fans |
Spain | 5.2 | Spain: 5.2 fans |
Fans of Waldorf Blofeld by gender
gender | Fans | |
---|---|---|
Male | 304.1 | Male: 304.1 fans |
Female | 15.8 | Female: 15.8 fans |
Fans of Waldorf Blofeld by type of use
type of use | Fans | |
---|---|---|
non-professional use | 143 | non-professional use: 143 fans |
professional use | 176.9 | professional use: 176.9 fans |
Fans of Waldorf Blofeld by ownership
ownership | Fans | |
---|---|---|
got it | 77.3 | got it: 77.3 fans |
want it | 169 | want it: 169 fans |
If you're out shopping for sound modules and you really want to see if 'Waldorf Blofeld' is a fitting choice for you, then take the 'Goodforme' test for a more personalized result.
How does the Goodforme test work?
We have collected data (music preferences, personality traits and demographics) by people who took the Goodforme Test for 'Blofeld' and relevant gear by Waldorf, in 'Sound Modules' or related categories and together with the tech specs of products in our database we feed it into our state-of-the-art recommendation engine. A sample of the data we are using to generate the results for the Goodforme Test, reports and visualizations for this gear can be found below.
For the scientific approach behind our collaborative and content-based filtering algorithms used in our hybrid recommender system please consult [1], [2], [3], [4], [5] and [6]
A male fan of Boards of Canada, Aphex Twin and Electronic , aged 18-24 y.o. from Germany took the 'Goodforme' Test for a relevant item by Waldorf in the Keys category 3 months 1 week ago and scored 60%
A male fan of Manu Chao, Bob Marley and The Wailers, Bob Marley, Matisyahu, Damian Marley, Sublime, Gentleman, Peter Tosh, Toots and The Maytals, Groundation, Seeed and Reggae , aged 45-54 y.o. from Netherlands took the 'Goodforme' Test for a relevant item by Waldorf in the Keys category 3 years 2 months ago and scored 99%
A male fan of The Chemical Brothers and Electronic , aged 45-54 y.o. from Germany took the 'Goodforme' Test for a relevant item by Waldorf in the Keys category 5 years 8 months ago and scored 99%
A male fan of Alice In Chains, Black Sabbath, Muddy Waters, Moby, Röyksopp and Alternative rock, Metal, Jazz, Blues, Electronic , aged 45-54 y.o. from Finland took the 'Goodforme' Test for a relevant item by Waldorf in the Keys category 3 months 5 days ago and scored 99%
A male fan of Nat King Cole, Jay-Z, Shakira, Jennifer Lopez and Pop, Jazz, Blues, Hip hop / rap, Latin , aged 18-24 y.o. from United States took the 'Goodforme' Test for a relevant item in the Keys category 4 months 2 days ago and scored 88%
A male fan of The Edge, The Smashing Pumpkins, Radiohead and Alternative rock , aged 45-54 y.o. from United Kingdom took the 'Goodforme' Test for a relevant item in the Keys category 6 months 4 weeks ago and scored 99%
A male fan of The Beatles, Robbie Williams, Adele and Pop, Country, Jazz, Dance, Reggae , aged 18-24 y.o. from United Kingdom took the 'Goodforme' Test for a relevant item in the Keys category 9 months 4 days ago and scored 80%
A female fan of Norah Jones and Jazz , aged 18-24 y.o. from Canada took the 'Goodforme' Test for a relevant item in the Keys category 1 year 3 months ago and scored 99%
A female fan of José Carreras and Opera , aged 55 y.o. or older from Germany took the 'Goodforme' Test for a relevant item in the Keys category 2 years 7 months ago and scored 99%
A male fan of Moby and Electronic , aged 25-34 y.o. from Germany took the 'Goodforme' Test for a relevant item in the Keys category 4 years 3 months ago and scored 99%
A male fan of Johnny Cash, Willie Nelson, Dixie Chicks and Country , aged Tmux for mac. 55 y.o. or older from United Kingdom took the 'Goodforme' Test for a relevant item in the Keys category 4 years 10 months ago and scored 99%
A male fan of John Coltrane and Jazz , aged 18-24 y.o. from United States took the 'Goodforme' Test for a relevant item in the Keys category 5 years 3 months ago and scored 99%
A male fan of Muse, Black Sabbath, Pantera, Norah Jones, Crystal Castles and Alternative rock, Metal, Jazz, Blues, Electronic , aged 45-54 y.o. from Finland took the 'Goodforme' Test for a relevant item in the Keys category 3 months 5 days ago and scored 99%
A male fan of Alice In Chains, Black Sabbath, Muddy Waters, Moby, Röyksopp and Alternative rock, Metal, Jazz, Blues, Electronic , aged 45-54 y.o. from Finland took the 'Goodforme' Test for a relevant item in the Keys category 3 months 5 days ago and scored 99%
A male fan of R.E.M., Black Sabbath, Herbie Hancock, Gorillaz, The Chemical Brothers and Alternative rock, Metal, Jazz, Electronic , aged 45-54 y.o. from Finland took the 'Goodforme' Test for a relevant item in the Keys category 3 months 5 days ago and scored 99%
Waldorf Blofeld Review
A male fan of AC/DC, Moby and Pop, Classic rock, Alternative rock, Jazz, Blues, Electronic, Hip hop / rap , aged 25-34 y.o. from Belgium took the 'Goodforme' Test for a relevant item in the Keys category 3 months 1 week ago and scored 99%
A male fan of Diana Krall, Boards of Canada, A Tribe Called Quest and Jazz, Dance, Electronic, Hip hop / rap, Latin, Reggae , aged 55 y.o. or older from United Kingdom took the 'Goodforme' Test for a relevant item in the Keys category 4 months 5 days ago and scored 55%
A male fan of Kirk Hammett, The Who, Led Zeppelin, Kiss, Nirvana, Radiohead, Mötley Crüe, Slipknot, Dream Theater, Jimi Hendrix and Classic rock, Alternative rock, Metal , aged 18-24 y.o. from United Kingdom took the 'Goodforme' Test for a relevant item in the Keys category 6 months 3 days ago and scored 99%
Waldorf Blofeld Manual
A male fan of Daft Punk, Depeche Mode, The Chemical Brothers and Dance, Electronic , aged 25-34 y.o. from Germany took the 'Goodforme' Test for a relevant item in the Keys category 6 months 2 weeks ago and scored 99%
A male fan of Boards of Canada, Aphex Twin, Röyksopp and Electronic , aged 35-44 y.o. from Germany took the 'Goodforme' Test for a relevant item in the Keys category 8 months 4 weeks ago and scored 60%